{"id":3247,"date":"2022-02-02T12:50:15","date_gmt":"2022-02-02T11:50:15","guid":{"rendered":"https:\/\/www.vonderlippe.com\/customer-list\/"},"modified":"2025-09-19T14:34:35","modified_gmt":"2025-09-19T12:34:35","slug":"customer-list","status":"publish","type":"page","link":"https:\/\/www.vonderlippe.com\/en\/customer-list\/","title":{"rendered":"Customer list"},"content":{"rendered":"

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Customer list<\/h2><\/span>
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MAYBE YOU WILL FIND YOUR NAME HERE IN THE FUTURE?<\/p>\n<\/div>

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My instruments are played by musicians in The Norwegian National Opera, Bergen Philharmonic Orchestra, The Norwegian Radio Orchestra, Trondheim Symphony Orchestra, and students from nearly all the music academies in Norway. In addition to many freelancers and teachers throughout the country. A cello and a violin have been purchased by Dextra Musica, and are lent to music students at the Norwegian Academy of Music. Helgelandsfondet has bought a violin that is lent to local talents. <\/p>\n<\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Name<\/b><\/span><\/td>\nInstrument<\/b><\/span><\/td>\nYear of construction<\/b><\/span><\/td>\nModel<\/b><\/span><\/td>\n<\/tr>\n
Geir Smolan<\/span><\/td>\nViolin<\/span><\/td>\n2025<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Chris Mui<\/span><\/td>\nCello<\/span><\/td>\n2025<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Anna Helgadottir<\/span><\/td>\nCello<\/span><\/td>\n2024<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Werner Bryn<\/span><\/td>\nCello<\/span><\/td>\n2023<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Astrid Melby<\/span><\/td>\nViolin<\/span><\/td>\n2023<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Werner Bryn<\/span><\/td>\nCello<\/span><\/td>\n2023<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Illkka Uurtimo<\/span><\/td>\nCello<\/span><\/td>\n2022<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Ingar Engan<\/span><\/td>\nViolin<\/span><\/td>\n2022<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Illkka Uurtimo<\/span><\/td>\nCello<\/span><\/td>\n2022<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Torje R\u00e5bu<\/span><\/td>\nViolin<\/span><\/td>\n2021<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Idunn Lohne<\/span><\/td>\nViolin<\/span><\/td>\n2021<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Amund Haugen Tusvik<\/span><\/td>\nViolin<\/span><\/td>\n2020<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Ina Aanondsen<\/span><\/td>\nViola<\/span><\/td>\n2019<\/span><\/td>\nPersonal “von der Lippe” model, 39 cm<\/span><\/td>\n<\/tr>\n
Henrik Nordtun Gjertsen<\/span><\/td>\nViolin<\/span><\/td>\n2019<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Arve Tellefsen<\/span><\/td>\nViolin<\/span><\/td>\n2018<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Tellefsen”<\/span><\/td>\n<\/tr>\n
Regina Fischer<\/span><\/td>\nViolin<\/span><\/td>\n2018<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Anne Stine Dahl<\/span><\/td>\nCello<\/span><\/td>\n2017<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Gunvald Ottesen<\/span><\/td>\nViolin<\/span><\/td>\n2017<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Matias Jentoft<\/span><\/td>\nViolin<\/span><\/td>\n2016<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Stig Roar Wigestrand<\/span><\/td>\nViolin<\/span><\/td>\n2016<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Ida Malene Christensen<\/span><\/td>\nCello<\/span><\/td>\n2015<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Ingrid Dahl Nilsen<\/span><\/td>\nViolin<\/span><\/td>\n2014<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Knut Johan Nedrelid<\/span><\/td>\nViolin<\/span><\/td>\n2014<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Hanna Trondalen<\/span><\/td>\nCello<\/span><\/td>\n2013<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Kristin J\u00e6ger<\/span><\/td>\nViola<\/span><\/td>\n2013<\/span><\/td>\nPersonal “von der Lippe” model, 39 cm<\/span><\/td>\n<\/tr>\n
Andrea Melbye<\/span><\/td>\nViolin<\/span><\/td>\n2013<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Tonje Johnsen<\/span><\/td>\nViolin<\/span><\/td>\n2013<\/span><\/td>\nPersonal “von der Lippe” model<\/span><\/td>\n<\/tr>\n
Christine Seyferth<\/span><\/td>\nViola<\/span><\/td>\n2011<\/span><\/td>\nPersonal “von der Lippe” model – 41.3 cm<\/span><\/td>\n<\/tr>\n
Sigurd Imsen<\/span><\/td>\nViolin (baroque)<\/span><\/td>\n2011<\/span><\/td>\nA. Stradivari, 1715 “Lipinski” ex Tartini<\/span><\/td>\n<\/tr>\n
Julia Dibley<\/span><\/td>\nViolin<\/span><\/td>\n2010<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Ragnhild D. Lofthus<\/span><\/td>\nViolin<\/span><\/td>\n2010<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Mari Lerseth<\/span><\/td>\nViolin<\/span><\/td>\n2010<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Lord Wilton”<\/span><\/td>\n<\/tr>\n
Helgelandsfondet<\/span><\/td>\nViolin<\/span><\/td>\n2009<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Hilde Kolstad Huse<\/span><\/td>\nViolin<\/span><\/td>\n2009<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Torstein Giertsen<\/span><\/td>\nViolin<\/span><\/td>\n2009<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Kristin Isdal Selmer<\/span><\/td>\nViolin<\/span><\/td>\n2009<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Alard”<\/span><\/td>\n<\/tr>\n
Karen Flesvig<\/span><\/td>\nCello<\/span><\/td>\n2008<\/span><\/td>\nG.B. Rogeri, 1695<\/span><\/td>\n<\/tr>\n
Dextra Musica<\/span><\/td>\nCello<\/span><\/td>\n2008<\/span><\/td>\nG.B. Rogeri, 1695<\/span><\/td>\n<\/tr>\n
Dextra Musica<\/span><\/td>\nViolin<\/span><\/td>\n2008<\/span><\/td>\nA. Stradivari, 1689 “Arditi”<\/span><\/td>\n<\/tr>\n
Elise Marie Endresen<\/span><\/td>\nViolin<\/span><\/td>\n2008<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Nora Dahl Nilsen<\/span><\/td>\nCello<\/span><\/td>\n2007<\/span><\/td>\nF. Ruggieri, ca. 1680-95<\/span><\/td>\n<\/tr>\n
Ragnhild D. Lofthus<\/span><\/td>\nViola<\/span><\/td>\n2007<\/span><\/td>\nA. Bellosio, 1792 40.5 cm<\/span><\/td>\n<\/tr>\n
Sunniva Thomassen<\/span><\/td>\nViolin<\/span><\/td>\n2007<\/span><\/td>\nA. Stradivari, 1715 “Il Cremonese” ex Joachim<\/span><\/td>\n<\/tr>\n
Maren Elle<\/span><\/td>\nViolin<\/span><\/td>\n2007<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Alard”<\/span><\/td>\n<\/tr>\n
Mari Fjeldstad Ystanes<\/span><\/td>\nViolin<\/span><\/td>\n2007<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Alard”<\/span><\/td>\n<\/tr>\n
Marianne Hatleskog<\/span><\/td>\nViolin<\/span><\/td>\n2007<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Alard”<\/span><\/td>\n<\/tr>\n
Monica Bauchwitz<\/span><\/td>\nViolin<\/span><\/td>\n2007<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Alard”<\/span><\/td>\n<\/tr>\n
Aslak W\u00f8llo Flat<\/span><\/td>\nViola<\/span><\/td>\n2006<\/span><\/td>\nA. Stradivari, 1672 “Mahler” 41.3 cm<\/span><\/td>\n<\/tr>\n
Marte S\u00e6vig Frantzen<\/span><\/td>\nViolin<\/span><\/td>\n2006<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Alard”<\/span><\/td>\n<\/tr>\n
Kjersti Rydsaa<\/span><\/td>\nCello<\/span><\/td>\n2005<\/span><\/td>\nF. Ruggieri, ca. 1680-95<\/span><\/td>\n<\/tr>\n
Maria V\u00e5rlid<\/span><\/td>\nViolin<\/span><\/td>\n2005<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
NTNU, Trondheim<\/span><\/td>\nViola<\/span><\/td>\n2004<\/span><\/td>\nA. Bellosio, 1792 40.5 cm<\/span><\/td>\n<\/tr>\n
Mari Giske<\/span><\/td>\nViola<\/span><\/td>\n2004<\/span><\/td>\nA. Guarneri, 1676 “Conte Vitale” 42 cm<\/span><\/td>\n<\/tr>\n
Cecilie Husev\u00e5g<\/span><\/td>\nViolin<\/span><\/td>\n2004<\/span><\/td>\nA. Guarneri, ca. 1670<\/span><\/td>\n<\/tr>\n
Henrik Silfverhielm<\/span><\/td>\nCello<\/span><\/td>\n2003<\/span><\/td>\nD. Montagnana, 1739 “Sleeping Beauty”<\/span><\/td>\n<\/tr>\n
Matilda Brunstr\u00f6m<\/span><\/td>\nViola<\/span><\/td>\n2003<\/span><\/td>\nA. Guarneri, 1676 “Conte Vitale” 42 cm<\/span><\/td>\n<\/tr>\n
Bj\u00f8rn Erik Neerland<\/span><\/td>\nViolin<\/span><\/td>\n2003<\/span><\/td>\nA. Guarneri, ca. 1670<\/span><\/td>\n<\/tr>\n
Einar Olav Larsen<\/span><\/td>\nViolin<\/span><\/td>\n2003<\/span><\/td>\nA. Stradivari, 1715 “Il Cremonese” ex Joachim<\/span><\/td>\n<\/tr>\n
Kari Knudsen<\/span><\/td>\nViolin<\/span><\/td>\n2003<\/span><\/td>\nA. Stradivari, 1715 “Il Cremonese” ex Joachim (7\/8 size)<\/span><\/td>\n<\/tr>\n
Astrid Kirschner<\/span><\/td>\nViolin<\/span><\/td>\n2002<\/span><\/td>\nA. Guarneri, ca. 1670<\/span><\/td>\n<\/tr>\n
Aurora Bj\u00f8rkheim Winsjansen<\/span><\/td>\nViolin<\/span><\/td>\n2002<\/span><\/td>\nA. Stradivari, 1715 “Il Cremonese” ex Joachim<\/span><\/td>\n<\/tr>\n
Arve Tellefsen<\/span><\/td>\nViolin<\/span><\/td>\n2002<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1742 “Tellefsen”<\/span><\/td>\n<\/tr>\n
Martinus Nyg\u00e5rd<\/span><\/td>\nCello<\/span><\/td>\n2001<\/span><\/td>\nD. Montagnana, 1739 “Sleeping Beauty”<\/span><\/td>\n<\/tr>\n
Christin Joten<\/span><\/td>\nViola<\/span><\/td>\n2001<\/span><\/td>\nA. Stradivari, 1672 “Mahler” 41.3 cm<\/span><\/td>\n<\/tr>\n
Nils Tore R\u00f8sth<\/span><\/td>\nViolin<\/span><\/td>\n2001<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Elin W. Gundersen<\/span><\/td>\nViola<\/span><\/td>\n2000<\/span><\/td>\nA. Stradivari, 1672 “Mahler” 41.3 cm<\/span><\/td>\n<\/tr>\n
Lina Marie \u00c5rnes<\/span><\/td>\nViolin<\/span><\/td>\n2000<\/span><\/td>\nA. Stradivari, 1715 “Il Cremonese” ex Joachim<\/span><\/td>\n<\/tr>\n
Kristine Stubberud<\/span><\/td>\nViolin<\/span><\/td>\n2000<\/span><\/td>\nG. Guarneri \u00abdel Ges\u00fa\u00bb, 1741 “Kochanski”<\/span><\/td>\n<\/tr>\n
Klaus Storck<\/span><\/td>\nViolin<\/span><\/td>\n1998<\/span><\/td>\nA. Capela<\/span><\/td>\n<\/tr>\n
Siri Juvik<\/span><\/td>\nViolin<\/span><\/td>\n1997<\/span><\/td>\nA. Stradivari, 1698 “Thaulow”<\/span><\/td>\n<\/tr>\n
Ingvild Stene<\/span><\/td>\nViolin<\/span><\/td>\n1996<\/span><\/td>\nA. Stradivari, 1720 “Kyd”<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div><\/div><\/div>
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Jacob von der Lippe has, at my request, made a copy of the instrument that I have owned since 1970; a violin made by the Italian violin maker Joseph Guarneri del Ges\u00fa in 1742 in Cremona.<\/p>\n<\/div><\/div><\/blockquote>

Arve Tellefsen<\/strong>, Soloist<\/span><\/span><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>read more<\/span><\/a><\/h4><\/div>
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Violin built for Arve Tellefsen in 2019:<\/b><\/p>\n

“Jacob von der Lippe has, at my request, made a copy of the instrument I have owned since 1970; a violin made by the Italian violin maker Joseph Guarneri del Ges\u00fa in 1742 in Cremona. Guarneri del Ges\u00fa is one of the very best of all time. violin makers, yes there are many who believe that he surpasses all. Jacob von der Lippe has managed to make a copy of very good quality. There is naturally a fresher and more modern sound in the copy, partly because the tree but he has succeeded in creating a breeding ground for a sound rich in overtones in both weak and strong shades. And although the sound will always be the most important for the performer, Jacob von der Lippe has also created a beautiful violin that is strikingly similar to the original. “<\/p>\n

Violin built for Arve Tellefsen in 2002:<\/b><\/p>\n

“Thank you for the copy you made of my Guiseppe Guarneri del Gesu 1742 (ex Lord Emhurst of Hackney). Your copy is truly a fabulous piece of work! Your violin has a glow and shine in the tone that I really appreciate, and the tone is round and full at the same time. A combination that I would think is difficult to achieve. The instrument sets the tone very easily, but you can, if you want, dig deep into the strings and get more back all the time.<\/p>\n

In appearance it is simply magnificent. The paint is beautiful, and it looks like my original to a dot. Thank you very much for a great job, and good luck with your instruments! “<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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I simply love this violin and would not trade it for anything. It has a very appealing sound: light, singing, harmonic, modular – it has both heat and edge, and is evenly good in all registers. In addition, it is incredibly easy to play – always in a good mood, and is not weather-sick. <\/em><\/p>\n<\/div><\/div><\/blockquote>

Mari Lerseth<\/strong>, Freelance violinist<\/span><\/span><\/div><\/div><\/div><\/div>
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<\/i><\/i><\/span>read more<\/span><\/a><\/h4><\/div>
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“What made the biggest impression when I tried Jacob’s violin for the first time was how precise the sound was, and how great it sounded. It did not take long before I decided in 2003 to invest in this instrument. With the years that have has gone, the development has gone in the direction I had hoped for, and the fullness of the bass register becomes more and more enjoyable with time, without the golden bright sound in the higher registers having diminished. von der Lippe’s instrument carries better and stronger than the Italian, -in a blind test with several musicians present.I appreciate the bright shiny sound, while the instrument has impressive resistance, so it takes a lot before the sound cracks, which gives the strong sound.The instrument invites to elegance with its precise sound, and paves the way for virtuoso pieces, as it withstands a little “knock” something I have a lot of fun with. “<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Instruments and bows for sale<\/h2><\/span>
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take your musical joy to a new level<\/p>\n<\/div>

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Over 75 musicians at home and abroad are today very satisfied owners of their von der Lippe instruments. There are many benefits to acquiring a new instrument; you characterize the sound with your own personality, the instrument is fresh and healthy, and you get follow-up throughout the instrument’s lifetime. This is easy to forget when buying a new instrument, but in the long run it is something my customers really appreciate. It’s like a long friendship between the instrument, the musician and me.<\/p>\n<\/div><\/div><\/div><\/div><\/div>