{"id":46623,"date":"2025-01-20T09:10:42","date_gmt":"2025-01-20T08:10:42","guid":{"rendered":"https:\/\/www.vonderlippe.com\/cello-pers-model-vik-vandamme-roeselare-2025\/"},"modified":"2025-11-20T10:52:50","modified_gmt":"2025-11-20T09:52:50","slug":"cello-pers-model-vik-vandamme-roeselare-2025","status":"publish","type":"post","link":"https:\/\/www.vonderlippe.com\/en\/cello-pers-model-vik-vandamme-roeselare-2025\/","title":{"rendered":"Cello, personal model Vik Vandamme \u2013 Roeselare 2025"},"content":{"rendered":"

<\/div><\/div><\/span>

\n
Cello, Vik Vandamme \u2013 Roeselare 2025<\/div>\n<\/div><\/h1><\/span>
<\/div><\/div><\/div>
<\/div><\/div><\/span>

Vandamme personal model<\/h1><\/span>
<\/div><\/div><\/div>
\n

It is truly inspiring to see a young violin maker working on his own personal cello model, and this is the first time this has been presented in Norway. Vik Vandamme worked in my workshop in 2019, and during the winter\/spring of 2025, he made this cello for me. <\/span>The cello was built in Vik’s workshop in Belgium under close supervision by the undersigned. <\/span>The materials are first-class: Italian Alpine spruce in the top, back, sides and neck\/snail in beautiful European flame maple. <\/span>He has also varnished the cello with my own oil varnish in addition to rigging it up ready to play.<\/span><\/p>\n

The fingerboard is made from a sustainable alternative to ebony, Corene<\/a> . The base is made of titanium, which ensures optimal transmission of the frequencies to the substrate. The cello is rigged with Spirocore Wolfram C+G and Larsen Soloist A+D, which are easily adjusted with Knilling Planetary tuning screws. Forget pegs that lose their grip or chatter. That time is over.<\/span><\/p>\n

This is the instrument for anyone who wants a top cello at a very nice price. Five Norwegian cellists already enjoy cellos made by Vik every day. See the previous cello Vik made in 2024<\/a><\/span><\/span>. A certificate from the maker is included, and the cello is numbered internally 25.3, meaning his third instrument in 2025. A beautiful custom-made bag for the cello is included. <\/span><\/span><\/span><\/p>\n

The cello can be tried out in peace and quiet for two weeks on loan, it is also insured during this period. Contact<\/span> jacob@vonderlippe.com<\/a> or call 90019140 if you would like to try this cello without obligation.<\/span><\/p>\n<\/div>\n<\/div>

CONTACT<\/span><\/a><\/div><\/div><\/div>
<\/div><\/div><\/span>

<\/h1><\/span>
<\/div><\/div><\/div>
<\/div><\/div><\/span>

What do cellists say about their Vandamme cello?<\/h1><\/h3><\/span>
<\/div><\/div><\/div>
<\/div>
\n

” It’s fun to go to work when you have a healthy and fresh instrument that responds the way I want, offers great tonal possibilities and has a tone all its own.”<\/em><\/p>\n

Playing a cello built by Vik Vandamme, 2022<\/h6>\n<\/div><\/div><\/blockquote>
Kamilla R\u00e6der Kvarstein<\/strong>, freelance cellist<\/span><\/span><\/div><\/div>
<\/div>
\n

“It is an elegant, light and slender cello with a nice, full and vibrant sound. “<\/em><\/p>\n

Playing a cello built by Vik Vandamme, 2023<\/h6>\n<\/div><\/div><\/blockquote>
Evelyn Tuset<\/strong>, cello student<\/span><\/span><\/div><\/div>
<\/div>
\n

“The cello is very easy to play, with a large and velvety sound. It was also easy to switch to it from the old one, which was 3\/4 size. “<\/em> <\/p>\n

Playing a cello built by Vik Vandamme, 2024<\/h6>\n<\/div><\/div><\/blockquote>
Symra Monclair<\/strong>, cello student<\/span><\/span><\/div><\/div><\/div>
<\/a><\/a><\/a><\/div><\/div><\/div><\/div>\n
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>

Pictures from the construction process<\/h4>\n<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
\"\"<\/a><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/path><\/svg><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/span>

Do you want to try?<\/h2><\/span>
<\/div><\/div><\/div>

Tell me what you’re looking for<\/p>\n<\/div>

<\/div><\/div>

I have extensive experience with musicians at all levels. Whether you are a music student, freelancer, orchestra musician or soloist, I understand and listen to your wishes. You can always borrow with instruments and bows on home loans up to two weeks, insurance is taken care of.<\/p>\n<\/div>

<\/div>
CONTACT<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/span>

Sculpted Sound<\/h2><\/h2><\/span>
<\/div><\/div><\/div>

NEW RELEASE \u2022 VINYL \u2022 CD \u2022 DIGITAL<\/p>\n<\/div>

<\/div><\/div>

Sound is the true reason for making instruments. In this recording the focus is on sound itself. Can a characteristic of sound be heard among instruments created by the same log of spruce and the hands of one specific violin maker, even if played by different instrumentalists? How do vastly different venues highlight various aspects of the same instruments? And how about the development of one violin maker through a span of twenty years?<\/p>\n

\n<\/div>

BUY THE ALBUM<\/span><\/a><\/div><\/div><\/div>
<\/a><\/span><\/div><\/div><\/div>
<\/div><\/div><\/span>

Sculpted Sound<\/h2><\/h2><\/span>
<\/div><\/div><\/div>

Listen on Spotify and all digital platforms<\/p>\n<\/div><\/div><\/div>